View Triples for https://nfdi4objects.wisski.data.fau.de/6655efb87abd5

In-coming triples
Subject	Predicate	Object	Graph	Adapter
https://nfdi4objects.wisski.data.fau.de/6655efb859632	http://www.cidoc-crm.org/cidoc-crm/7.1.3/P70i_is_documented_in	https://nfdi4objects.wisski.data.fau.de/6655efb87abd5	https://nfdi4objects.wisski.data.fau.de/	Default WissKI Distillery Adapter

Out-going triples
Subject	Predicate	Object	Graph	Adapter
https://nfdi4objects.wisski.data.fau.de/6655efb87abd5	http://www.w3.org/1999/02/22-rdf-syntax-ns#type	https://nfdi4objects.wisski.data.fau.de/ontology/Transcription	https://nfdi4objects.wisski.data.fau.de/	Default WissKI Distillery Adapter
https://nfdi4objects.wisski.data.fau.de/6655efb87abd5	http://www.cidoc-crm.org/cidoc-crm/7.1.3/P3_has_note	""In 1905, he sold two brass Agba or Ẹrhẹ (Stool) at Stevens Auction Rooms in London where they were acquired by the Ethnographisches Museum in Berlin (209779; 211924). Lady Adrienne Moor inherited his collection and shortly after his death sold it off entirely to the art dealer John Sparks (Phillips, 2021, p.198[122]); she died in 1919. Some of the most precious pieces were acquired by the ethnographer Charles Gabriel Seligman – including two Iy’Ọba Idia ivory Uhunmwu-Ẹkuẹ (Pendant Mask) considered to have been taken with three others in the Ọba’s bedchamber (Ọba Palace). Moor’s masks are today in the British Museum and the Metropolitan Museum (Bodenstein, 2019, 229-231[118]).""@en	https://nfdi4objects.wisski.data.fau.de/	Default WissKI Distillery Adapter